Beverly Kimbol and the Hollywood Sex Symbol
On that cold day in the High Street,
The sky heavy with snow and sleet
Was Anne-Marie upon her moped
Watching a scene her curiosity fed.
A lone passion fed couple embracing;
Oblivious to the cold, shivering and shaking.
The two familiar heads, blonde and brown
And seeing it all her hopes came crashing down
For there, framed in front of her,
All her past and all her future;
Her said best friend Beverly Kimbol
And the Hollywood Sex Symbol.
All that Anne-Marie had hoped for
From the heart of her was tore.
She wanted it to be an error,
But with a deep and knowing terror
She realised that she was right
And everything lost without a fight.
Her dreams of fortune and of fame
Would never again be the same.
For Bev, her “friend”, now had the role,
Which of course she must have stole
Because unassuming Beverly Kimbol
Had the Hollywood Sex Symbol.
On her moped did Anne-Marie sped
With hatred her soul she fed,
Bitter, twisted and all hopes shattered
Not happy for her friend or flattered,
For who had taught Bev all she knew
So that someone competent gave her cue?
Anne-Marie knew that on that street
In the cold and in the sleet
She had seen the birth from that harlot
Of the latest film industry starlet.
Plain, conniving Beverly Kimbol
And the Hollywood Sex Symbol.
How could she hold her head up now?
When everybody knew of her vow.
The only choice, to her was simple;
“Kill that cow Beverly Sharon Kimbol!”
Then shattering all the telephone rang
And like a cat across the room she sprang.
A voice informed her of a part,
Right up her street, right to her heart;
She was in the film, she was in the shoot
Now on her foot the proverbial boot!
The rival and enemy of Beverly Kimbol
And winner of the Hollywood Sex Symbol.
Irresistible on The Esplanade
There was Suzy on her cycle
Ever prissy, ever fickle.
Gently tasting Sarsaparilla
Refusing strongly plain vanilla.
Always aiming to sophistication
This to her was mystification
Whilst we on my parents tandem cycle
Always managed to extract the Michael.
Confident brash and comely girls
Helped along by our brassy curls.
Me and Mabel Palasade
Irresistible on the Esplanade.
Men would try and tickle
Little Suzy ever fickle.
She tried to tease them
She tried to fleece them
She only managed to displease them.
Whilst we with our bottled curls abright
Would set their little hearts alight.
Laughing, talking, holding hands
Letting them make their plans
Of picnic dances on the sands
With me and Mabel Palasade
Irresistible on the Esplanade.
Now all those Saturdays have gone
Of walking out upon the Prom
Little Suzy’s children play
Upon the Prom on Saturday
And bottled curls
Of comely girls
Go brown and grey
With each married day.
But the ghosts live on of those plans
Of picnic dances on the sands
With me and Mabel Palasade
Irresistible on the Esplanade.
Arnold Algernon Armitage-Shanks
Algy was a lovely child
Eyes serene and blond curls wild.
His innocence was plain to see
To all those who heard his plea,
When caught by grown ups in a prank
He would face them gladly and be quite frank
And he would say without a blink;
“But Mummy dearest I DID NOT THINK!”
Alas it was a case quite sad
A boy, depraved, was not that bad.
For Arnold Algernonn Armitage-Shanks
Was as thick as two short planks.
3 comments:
Love it...especially the esplanade...
lx
Would you believe that I wrote that at 16 while revising for my GCSE mocks? It was also the poem that caused the English Department to go into mourning when they realised I wasn't doing English A Level.
I can see why the Esplanade poem especially would have the English department mourning your loss. It's ace.
Love these and your wicked sense of humour and take on the world at 16!
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